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So our usual disclaimer, fansubbing is a hobby for our group. We don't do it for profit and most of us have jobs and other stuff going on. But if you don't mind a little wait and enjoy our style, we'd love it if you can help offset some of the costs of this hobby
Our goal this time is $662:
- 135 for a seedbox
- 240 for the server
- 247 for source material
- 93 for computer replacement parts
- -52 from donations throughout the year
Anyway, I'll leave this up for a week. If we make it, we make it. Otherwise it's no big deal. You can donate from our Paypal link, but e-mail if you want to pay using a different method and I can see if I can arrange something. Thank you for reading!
One Punch Man's Hero and infinite translation possibility space
So I've been listening to the opening to One Punch Man "Hero" by the fantastic group JAM Project. And the original song is great. You can literally feel them push their vocal chords to their limit:
https://www.youtube.com/watch?v=QImBolnTVH8
But what's fascinating to me is these two English dub covers of the song:
https://www.youtube.com/watch?v=WDygxp01CG8
https://www.youtube.com/watch?v=zAz6svcil1I
It's neat because the lyrics vary quite a bit, but both do an interesting job at capturing the feeling of the show in different ways. It's a departure for subbing, since in dubs you can just put whatever you want as long as you get the feeling more or less correct. But it's also more constrained, since it has to sound lyrical and fit well in a song.
It kind of reminds me of this story from Radiolab, where this one guy had this French poem translated in dozens of ways to try to capture the structure, tone, and meaning of the original in English.
http://www.radiolab.org/story/translation/
It might be counter intuitive, but having very clear constraints can be very beneficial to creative works. It gives focus and can lead to surprising innovation.